拉莉萨 已完结

片名:《拉莉萨》

类型:剧情片

上映时间:1980

上映地区:其它

导演:依莱姆·克里莫夫

主演:依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta

集数: 更新至0集

语言:其它

【勤迩斯影院】推荐拉莉萨完整版在线观看全集，拉莉萨由知名导演依莱姆·克里莫夫倾情执导拍摄，运用色彩和光影的对比，为影片营造出独特的氛围和视觉效果，并且在拉莉萨的剧情上构思独特，让整个故事情节紧凑，让观众感受到不同的观影体验。

《拉莉萨》观后点评：拉莉萨的特效制作非常精良，令人耳目一新，拉莉萨对每个场景设计非常精细，每一个场景都如画一般美丽，非常好看，让每个镜头都非常出彩，令人印象深刻。

《拉莉萨》抖音网友点评：拉莉萨的演员是依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta，他们用出色的演技将拉莉萨的角色塑造得栩栩如生；拉莉萨的拍摄手法很有创意，给人耳目一新的感觉。

拉莉萨的剧情讲述了：A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.　　Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.