没有和解 已完结

评分:
8.0 推荐

分类:剧情片 其它 1965

导演:让-马里·斯特劳布  达尼埃尔·于伊耶   

无需安装任何插件,即可快速播放

无需安装任何插件,即可快速播放

无需安装任何插件,即可快速播放

剧情介绍

片名:《没有和解》

类型:剧情片

上映时间:1965

上映地区:其它

导演:让-马里·斯特劳布,达尼埃尔·于伊耶

主演:Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,

集数: 更新至0集

语言:其它

【勤迩斯影院】推荐没有和解完整版在线观看全集,没有和解由知名导演让-马里·斯特劳布,达尼埃尔·于伊耶倾情执导拍摄,运用色彩和光影的对比,为影片营造出独特的氛围和视觉效果,并且在没有和解的剧情上构思独特,让整个故事情节紧凑,让观众感受到不同的观影体验。

《没有和解》观后点评:没有和解的特效制作非常精良,令人耳目一新,没有和解对每个场景设计非常精细,每一个场景都如画一般美丽,非常好看,让每个镜头都非常出彩,令人印象深刻。

《没有和解》抖音网友点评:没有和解的演员是Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,,他们用出色的演技将没有和解的角色塑造得栩栩如生;没有和解的拍摄手法很有创意,给人耳目一新的感觉。

没有和解的剧情讲述了:The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

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